Gainesville local uses his passion as a ‘jack of all trades’ in a film industry

April 17, 2016 - table lamp

Draining a lukewarm contents, a 28-year-old Gainesville local touches a stubble of his chin, focuses his trenchant immature eyes and attempts to explain how he approaches work in a film industry.

He picks adult a potion mug.

“There are many components that go into creation a finished product. There’s a brewing. There’s a glass. There’s a ladle used for stirring,” Walton said. “I wish to know about all of that. we wish to know how it all comes together to arrive during this list before we splash it.”

The analogy is meant as an reason of his work ethic; but, it is also — during least, in partial — what creates Walton tick. Having been employed in a film attention for several years as a light technician, writer and photographer, a 2005 Gainesville High School connoisseur to this day still uses a pretence he schooled behind in GHS theater.

“When I’m operative on a set, we make certain we know everybody on a first-name basis,” Walton said. “I try to know what everybody does.

“With my melodramatic training, it was suggested that we should spend a small bit of time in any fortify so we could know and describe to everybody who is there. we consider it’s unequivocally critical to know how all works … and, a attention we work in is unequivocally departmentalized. It’s a appurtenance that only moves like a burden train.”


The past several years have been generally busy. He’s worked in several capacities on films such as “Anchorman 2,” “The Internship” and “Last Vegas.” He’s also worked with crews on an partial of “The Walking Dead” and many recently “Rectify.”

Being concerned with films such as these has afforded him a event to cranky paths with many opposite celebrities.

It’s engaging assembly people like that, he said. But it’s even some-more engaging examination others, in a throes of star-struck hysteria, correlate with celebrities.

He witnessed several such encounters while operative with Morgan Freeman on a video about a celebrity’s blues bar in Mississippi.

“When we were unresolved out with (Freeman) for a while … we got to see people come adult and only remove their minds around him,” Walton said. “But a thing about that is, he’s only a genuine chairman like anyone else. He has uncanny hangups like everybody else. Nobody realizes that when they accommodate celebrities. But, it’s a truth.”

Although, Walton admits it’s always a small strange, even for himself, to accommodate big-name celebrities on film sets.

“There are times when we travel by these kinds of dudes, and partial of me is like ‘I wish to speak to you, yet we have zero to contend to you. we don’t indeed know you,’” he said.


While on set, Walton’s pursuit changes formed on a need. Since he began in a attention in 2008, he’s hold titles such as flare operator, paraphernalia technician, electrician, set dresser and still photographer. He’s also acted in a film or two, with cinema such as “Sacred Journey” now in pre-production and a TV uncover called “The Red Road.”

Walton realizes many of a terms compared with his specific roles can sound a bit cloudy to a layman. Few truly know what he does on a set unless they’ve seen him doing it with their possess dual eyes.

“It’s tough to explain what we do to someone unless we uncover them,” he said, adding a film attention is “kind of like any other pursuit — we work a lot.”

He pronounced he feels there are dual distinctions yet in a forms of employees: technicians and artistic artists. He’s spent time as both.

Pam Ware, who taught Walton during Gainesville High School in a museum program, pronounced it was rather singular to find a “jack of all trades” like him.

“He acted in many opposite roles, yet he also did set construction and scenic pattern … we don’t always find actors who are also good technicians, yet Steven was positively that,” Ware said.

Addison Miller, a crony and veteran colleague, pronounced Walton is “one of a hardest operative people we know in a industry. If we were going to have anybody on my set, I’d wish it to be him in some capacity. Because a thing about Steven … if he doesn’t know how to do something, it’s his inlet to go figure it out, and that creates him unequivocally valuable. He’s a problem solver.”


Miller and Walton were roommates in Oklahoma, where Walton attended college, graduating in 2010 from University of Oklahoma with a bachelor’s grade in excellent arts. Upon graduating, Walton worked on several productions in Oklahoma, Texas and Los Angeles, before returning to his home state.

He is happy to be operative in Atlanta and loves his occupation.

Most of his work has been on a technical side, yet Walton considers himself a storyteller during heart. Picking adult a dull potion mug, he leaned once again on a tea metaphor, this time holding a opposite angle.

“You know that eminence we was articulate about earlier, between technicians and creatives in a industry?” Walton said, clinking a potion opposite another mop — behaving a sham of pouring tea from one vessel to another.

“I consider that as a artistic we need time to breathe,” he said. “You flow all into a cup, and afterwards we devour it, and it’s empty. You’ve got to have a time and resources to fill it behind up. If you’re operative 70 hours a week, we don’t have time to decoction a tea. You don’t have time to breathe. You’ve got to make time to go have some experiences. And then, we can come behind to it.”

While it’s mostly time-consuming, he pronounced he wouldn’t trade a technical work he does in film for anything in a world.

“I unequivocally suffer what we do, and somehow I’ve done a good vital doing all a things I’m doing,” Walton said. “I’m not certain what else we would do during this point, or during any indicate … we done a choice a prolonged time ago to do what we wanted to do. It all comes down to creation that decision, doesn’t it?”

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