How an Interior Stylist Decorates Her Own Home

January 15, 2018 - table lamp

You’d never theory it from a extraneous of a building—a prosy condo that has all a markings of a general new build—but pass by a characterless, fluorescent-lit corridor and we get a pointed hint, in a form of incompatible flea market–found timber and ultramodern steel unit numbers, that something special awaits we behind doorway 3D.

This is a unit of interior stylist Olga Naiman—a maestro in a margin who’s combined magazine-worthy spaces for a likes of Domino, House Beautiful, Teen Vogue, and Wall Street Journal Magazine, and who also has a master’s grade in set design. All of this is apparent a impulse we enter her space, a 1,000-square feet two-bedroom in Brooklyn’s Prospect Heights area that she shares with her partner Michael Smith and dual kids (twins, Lucia and Laszlo, age 3).

When it came to conceptualizing her possess home, she practical a same beliefs she uses on any of her styling or event-design jobs: regulating reoccurring themes and a account that unfolds as we travel by a space. “For me, we like any room to feel different. we don’t like a whole whole residence to feel accurately a same. Some people wobble a same thesis via a whole house, though for me, that’s not as interesting,” Naiman explains. Her account is one that highlights a surreal and a sacred, and it includes a brew of shapes, textures, and colors that don’t seem like they would customarily go together (in her vital room, an iconic Artemide Tizio list flare sits on tip of built dust blocks subsequent to a corduroy-upholstered Milo Baughman sofa), though somehow work beautifully. “It’s unequivocally about different and bizarre juxtapositions,” Naiman says.

Another steady theme? Bright patterns. “For me, vast monochromatic tones of plain tone aren’t interesting. Pattern and hardness is what creates a space warm,” says Naiman, who also attributes her adore of settlement to her Russian heritage. “I’m Russian. we was innate in Russia, and that influences my adore of pattern. [Russians] are not minimalist Scandinavians or Swedes that kind of reason back. They reason zero back. They only burst into everything. They burst into settlement with full force. we do have that side to me—that only loves a abounding byzantine kind of patterns and colors and textures,” she says.

The initial thing Naiman did when she got into a unit was put adult a Fornasetti Mediterranea wallpaper and colourful pinkish curtains, that began to surprise a rest of a space. The jumping-off indicate for a settlement in scarcely each room in her home was a pattern. In a vital room, she fell in adore with a blue Matisse-inspired fabric used for her window treatments; from there a rest of a room took shape. In a bedroom, it was a chinoiserie-style carpet bought on eBay that desirous a room’s jam-packed red-and-blue palette.

From there, Naiman layered in an heterogeneous brew of materials (wood, metal, leather, concrete, and textiles all association together in one room) that feel suddenly balanced—especially within a proportions of a apartment’s no-frills architecture. “I adore to do a conflicting of what a space is,” Naiman explains. “So for a mint condo that’s all angles, tough lines, and tough corners though most impression to it—it needs an distillate of soul. Pattern and hardness is a easiest approach to do that.”

Some equipment to enthuse your possess Naiman-style design, and a few of her tips, below:

Repetition is key: “I like to triangulate as a stylist. Repeat a thesis 3 times in a room—at least—but variations on a theme.”

Bold though balanced: “For me, settlement that doesn’t have a confidant peculiarity to it isn’t compelling. Whenever we do a confidant matter on one side of a room it has to be steady in other tools of a room. Otherwise, it doesn’t feel like it’s integrated.”

Lighting equals valuables for your home: “I provide lamps as sculptures. we use them in a room a approach people use accessories.”

No art collection, no problem: “Wallpaper is a good thing if we can’t means to cover your place with costly art.”

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