Reimagine interiors with 20th-century pattern picks from PAD London 2017

October 7, 2017 - table lamp

PAD London, a heading satisfactory for 20th-century art, pattern and musical arts, non-stop on Oct 2, 2017, in a colourful heart of Mayfair. The satisfactory epitomizes communication between opposite genres and durations divulgence startling combinations for formulating distinguished interiors.

Here are a tip 20th-century pattern picks from a fair:

“A Tête de femme list lamp,” circa 1935 by Alberto Giacometti: Tête de femme list flare is one of a 70 opposite musical objects that artist Alberto Giacometti and French interior engineer Jean Michel Frank combined during their 15 years of artistic collaboration.

“Long Chair,” circa 1935-36 by distinguished Hungarian-born modernist Marcel Breuer: The “Long Chair” enjoys an iconic standing in a story of complicated design. Replicas of a chair are partial of prestigious collections including New York’s Museum of Modern Art and London’s Victoria and Albert Museum.

“Tryptic, 1928”: Designer Jean-Charles Moreux combined a tryptic counterpart for French surrealist producer Paul Eluard as a present for his mother Gala, who after married Salvador Dalí. Eluard stamped an amorous summary to his mother on a counterpart that reads “D’une seule caresse je te fais briller de surveillance ton éclat” / “With a singular toy we make we gleam with all your brilliance.”

“La Naissance de Venus,” circa 1933 by Max Ingrand: French potion workman and decorator depicts a imaginary stage of a birth of Venus in this intricately minute 5 shade row featuring engraved, silvered and embellished glass. Ingrand complicated underneath critical artists such as Jacques Grüber and Charles Lemaresquier and was bestowed with a French Legion of Honour.

“Chieftain armchair,” 1949 by Finn Juhl: When a Chieftain armchair – a masterpiece by seat engineer Finn Juhl’s – was exhibited during a Cabinetmakers’ Guild Exhibition in 1949, a King of Denmark himself attempted a chair and a publisher remarked, “Now we can call it a King’s chair.” Juhl found a pretension to be too pretentious and called it The Chieftain instead.

“Firescreen,” circa 1902 by Carlo Bugatti: With a devious pattern and use of inlaid wood, Italian engineer Carlo Bugatti’s “Firescreen” resonates with influences of Gothic, Japanese, and Islamic art. Bugatti was preoccupied with curves and built his famous “Snail Room” in a same year as “Firescreen,” partial of a curated scenery of turn-of-the-century musical humanities opposite Europe presented by Oscar Graf.

“Presidential armchairs,” circa 1960 by Jorge Zalszupin: Poland-born Jorge Zalszupin fled opposite Europe after a conflict of a World War II and finally staid in Brazil in 1949, where he polished his qualification and combined his distinguished seat pattern association l’Atelier. In Presidential armchairs, Zalszupin elegantly reinterprets Scandinavian pattern in internal Brazilian woods.

“Butterfly Ashtray,” circa 1920 by Armand-Albert Rateau: The exuberant Butterfly ashtray is one of a many ornaments that were partial of a private hotel purchased and renovated by French interior engineer Armand-Albert Rateau, who implemented each fact of a interior.

PAD London runs by Oct 8, 2017, in Mayfair, London.

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Click on a slideshow for a hide look during a collection. 




Christian Bonnefoi



Marcel Breuer



Marcel Breuer



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